Monday Feb 03, 2025

TROS 29: Rise of Skywalker Music and Sound Crew (Minutes 141-142)

We've reached the end of the The Rise of Skywalker (minutes 141-142)! In this season finale, Xanthe goes through the music and sound credits and explains how each role contributed to the production. We also compare the "transition to end credits" music across all 9 Skywalker Saga films and discuss how The Rise of Skywalker's version fits into a larger trend. 

Timestamps:

  • 0:00 - Hello there!
  • 1:20 - Question about season/film order
  • 3:06 - Going through every music and sound credit
  • 3:54 - Supervising Music Editor
  • 6:50 - Supervising Sound Editors, Re-Recording Mixers
  • 10:53 - ADR
  • 13:20 - Production Sound Mixer, Sound Assistants
  • 20:56 - Post Production Sound Services by Skywalker Sound
  • 25:22 - Music Conductor, Music Preparation, Music Librarian
  • 30:31 - Orchestrations
  • 47:34 - Scoring Engineer
  • 48:30 - Music Contractor
  • 52:45 - Score Recorded at Streisand Scoring Stage
  • 55:30 - Why aren't the individual musicians credited?
  • 1:01:10 - Second Unit sound
  • 1:03:05 - Source music credits
  • 1:04:18 - Comparing "transition to End Credits" music across the Skywalker Saga films.
  • 1:21:01 - Podcast intro/outro theme (Anthem of Evil cover)
  • 1:27:26 - What does Star Wars sound like according to this season's guests?
  • 1:33:47 - Tips for using the SWMM website
  • 1:41:57 - Acknowledgements

Things to Check Out:

Musical Themes:

  • 1b. Main Theme (B Section)
  • 2. Rebel Fanfare
  • 18) Descending Heroic Tetrachords
  • 9. Throne Room

Where are we in the soundtrack?:

  • OST 19. "Finale"

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STAR WARS MUSIC MINUTE QUESTIONNAIRE:

1. In exactly 3 words, what does Star Wars sound like?

  • TROS answer: Genius and craftsmanship.
  • ESB answer: Filigree, fanfares, flow.
  • SOLO answer: Intricate orchestral storytelling.
  • ANH answer: The Cosmic Force.

2. What's something related to Star Wars music or sound that you want to learn more about?

  • TROS answer: I want to see (or hear) what John Williams's very first drafts and seeds of ideas sound like, and then I want to see how he refines the music until he's satisfied with it. 
  • ESB answer: Is there an internal "sonic style guide" at Lucasfilm or Skywalker Sound that's specific to Star Wars? I mean even things like relative loudness of music and dialogue, a specific protocol for mic'ing or looping in aliens, etc. Especially curious if there's anything in the Star Wars style guide that goes against current industry norms.
  • SOLO answer: The working relationship between the composer and music editor.
  • ANH answer: I'm curious about how other people experience and engage with the music of Star Wars, on both a macro and micro level. I want to know how other people are making sense of it or analyzing it with frameworks different than mine. Basically, I'm interested in doing what this podcast already gives me the excuse to do -- talk to people about Star Wars music.

3. What's a score or soundtrack you're fond of besides anything Star Wars?

  • TROS answer: Babygirl (Cristobal Tapia De Veer)
  • ESB answer: E.T. (John Williams)
  • SOLO answer: Moonrise Kingdom
  • ANH answer: There Will Be Blood (Jonny Greenwood)

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